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Original work

Second Empire Jewelry Box with Miniature of Empress Joséphine

500 €

This refined oval jewelry box, crafted in gilt bronze (bronze doré) and lined with plush interior velvet, constitutes a distinguished example of French decorative arts from the Second Empire period (c. 1850-1860) inspired by Neoclassical and Empire revival aesthetics, featuring an articulated lid richly engine-turned with guilloché patterning and applied ribbon bows framing an oval portrait miniature in gouache on paper apocryphally signed by the French painter Antoine Vestier (1740-1824), with a composition directly based on and adapted from the famous official state portrait by Baron François Gérard (1770-1837) titled «L'impératrice Joséphine en costume sacré» (1807-1808) housed at the Palace of Versailles, depicting the iconic likeness of Empress Joséphine de Beauharnais (1763-1814) in full coronation splendour adorned with a jeweled tiara, sapphire and diamond suite, high Medicis lace collar, and ermine mantle, rendered in a delicate miniaturist style on paper support that captures the majesty of the Napoleonic court, with related portrait miniatures after Gérard's original painting and luxury presentation boxes preserved in prestigious global institutions including the Musée National des Châteaux de Versailles et de Trianon, the Musée de l'Armée in Paris, the Château de Malmaison (historic home of Empress Joséphine), the Musée du Louvre in Paris, the Musée Cognacq-Jay in Paris, the Metropolitan Museum of Art in New York, and the Wallace Collection in London.

TechniqueBronze dorado y gouache sobre papel
Dimensions11cm
YearCirca 1850-1860
ArtistVESTIER, Antoine
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VESTIER, Antoine

Antoine Vestier (Avallon, April 28, 1740 - Paris, December 24, 1824) was a prominent 18th-century French painter and miniaturist, celebrated primarily for his society and court portraits, trained in the workshop of painter Jean-Baptiste Pierre in Paris and whose brilliant career led to his admission into the prestigious Royal Academy of Painting and Sculpture in Paris in 1785 and formal reception in 1786, the year he also obtained the title of king's painter and enjoyed the privilege of an official residence and studio in the Louvre Palace alongside artists such as Jacques-Louis David, excelling both in large oil formats and in the refined execution of miniatures on ivory and paper to immortalize aristocrats and members of the bourgeoisie with a style characterized by psychological finesse, chromatic richness, and meticulous attention to textile and jewelry details, an artistic legacy also passed on to his daughter and painter Marie-Nicole Vestier whose masterworks are preserved today in internationally renowned museums such as the Louvre Museum, the Carnavalet Museum in Paris, the National Galleries of Scotland, and the Metropolitan Museum of Art in New York.

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