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Original work

Russian Lacquered Wooden Easter Egg Depicting Saint Anne Signed

325 €

This refined 17 cm high devotional and passion-themed Easter egg constitutes a remarkable testament to contemporary Russian Orthodox iconography and portable iconostasis, crafted in the 1990s on a finely turned hardwood structure finished in reflective multi-layered jet-black lacquer. The iconographic obverse prominently features Saint Anne (СВ. АННА, according to the Church Slavonic inscription rendered in gold leaf at the top), depicted in three-quarters view dressed in a vermilion tunic ornamented with intricate golden guilloché motifs and a white maphorion draped over her head, holding in her right hand a floral stem with rosebuds symbolizing miraculous fertility, holy genealogy, and Divine Motherhood as the mother of the Blessed Virgin Mary. The work features the handwritten Cyrillic signature of the master miniaturist in the lower right margin (Стадник Н. / Nadezhda Stadnik), testifying to the technical virtuosity of the piece, distinguished by delicate line work, academic skin-tone shading, and elaborate gold highlight painting (assist) across the drapery. Stylistically, the egg is attributed to the post-Soviet revival of the Palekh and Mstiora miniaturist schools during the 1990s, when master iconographers re-adopted traditional egg tempera and gold leaf techniques applied to lacquered wooden surfaces. The reverse showcases a stylized golden Latin cross set against the lustrous black ground, an allegory of the Resurrection of Christ (Paskha), the central theological mystery behind the long-standing Russian custom of gifting decorated eggs during Easter. Works of this distinguished technical standard, bearing signatures of recognized Palekh and Mstiora master miniaturists, are researched and exhibited within leading international sacred and imperial art institutions, including the Kremlin Armoury Museum in Moscow in its Sacred Treasures Cabinet, the Fabergé Museum in St. Petersburg (Shuvalov Palace), the State Russian Museum in St. Petersburg in its Miniature and Folk Art Department, the Hillwood Estate, Museum & Gardens in Washington D.C. in its Russian Imperial Art Collection, and the Icon Museum of Frankfurt (Ikonen-Museum Frankfurt).

TechniqueWood noble torneada, laca negra multicapa pulida a mano, pintura al temple y óleo con aplicaciones de pan de oro y firma
Dimensions17cm
YearCirca 1990
ArtistPALEJ, Escuela de
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PALEJ, Escuela de

The Palekh School represents one of the most refined and celebrated pinnacles of traditional Russian decorative arts and miniature painting. Originating in the historic village of Palekh (Ivanovo region), the settlement distinguished itself from the 17th century onward as a prominent center for Orthodox icon painting, renowned for its stylistic delicacy, intricate line work, and mastery of tempera enriched with gold leaf accents. Following the Russian Revolution of 1917 and the Soviet regime's ban on sacred art, Palekh master iconographers ingeniously repurposed their craft by founding the Palekh Guild of Ancient Painting in 1924, adapting the age-old technique of tempera on wood and levkas gesso priming to the decoration of papier-mâché and hardwood boxes, caskets, plates, and eggs finished in jet-black lacquer. This unique style is characterized by allegorical motifs, Russian folktales, mythology, landscapes, and epic scenes rendered through highly stylized, dynamic figures with flowing robes edged in fine gold highlights (assist), all set against lustrous dark backgrounds that impart remarkable dimensionality and luminosity to the compositions. Following the dissolution of the Soviet Union in the 1990s, the Palekh workshops experienced an unprecedented revival, reincorporating religious themes, Easter eggs, and traditional iconography alongside secular miniatures. Today, historical and contemporary creations of the Palekh School are researched and exhibited within the world's most prestigious Russian and international art institutions, most notably at the State Art Museum of Palekh at its founding site, the State Historical Museum in Moscow, the State Russian Museum in St. Petersburg, the Tretyakov Gallery in Moscow, the Hillwood Estate, Museum & Gardens in Washington D.C., and the Fabergé Museum in St. Petersburg (Shuvalov Palace).

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