Best Art Gallery in Andorra

The world is full of little joys: art consists in knowing how to distinguish them.

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Featured work

Ephemeral Beauty

This refined oil-on-board painting of compact dimensions (31x31 cm), created by Catalan painter Pilar Reynard Ribera (b. 1930), is an outstanding example of cabinet painting and floral miniature with a strong intimate quality. The composition centers on a delicate glass vase holding a dense bouquet of roses in shades of pink, carmine, and orange, flanked in the lower foreground by a fallen rose resting quietly on the working surface, introducing a poetic touch of impermanence and naturalism. Stylistically, the piece stands out for the virtuous balance between the lightweight transparency of the vessel—rendered through subtle highlights and glazes recreating the refraction of water and glass—and a rich, tactile surface density in the treatment of the flower corollas, where the artist applies oil through thick impasto, sculpted directly onto the wooden panel with direct, raised brushstrokes that lend volume, three-dimensionality, and physical texture to every petal. This artistic technique connects directly with the influences of 19th-century European floral painting, particularly the intimate mastery of Henri Fantin-Latour, as well as the luminist tradition of the mid-20th century Catalan school, engaging with the technical craftsmanship of small-scale still lifes traditionally executed on wood. Its small format, inheriting the rich Dutch and Flemish tradition of 17th- and 18th-century cabinet paintings, places this work within a collecting tradition historically devoted to close contemplation and delight in fine detail—a discipline and sensibility that can be admired in the small-format still life collections of the Museu Nacional d'Art de Catalunya (MNAC) in Barcelona, the Museo Thyssen-Bornemisza and the Museo del Prado in Madrid, as well as in renowned cabinets of miniatures and pictorial intimism such as the Wallace Collection and the Victoria and Albert Museum in London, or the Musée d'Orsay in Paris, where floral studies on board hold a privileged place in the history of European figurative painting.

500 €View work

Featured work

Echoes of Time II

his formidable composition by Tomás Medina, conceived as a companion piece to the previous work circa 1995, reaffirms the artist's mastery in mixed media on board by combining hyperrealistic figurative detail with a powerful textural, three-dimensional investigation. The work dispenses with conventional pictorial statism to build upon an elaborate foundation of relief pastes, mineral fillers, and resins that recreate a deeply weathered wall surface of striking sculptural quality, over which refined, miniaturist oil glazes are applied. At the compositional center, resting upon a simulated stone ledge supported by an elegant molded architectural bracket in the lower register, stands a white porcelain vessel with a lid, two handles, and gilded accents, decorated with a delicate polychrome floral bouquet in shades of pink, yellow, and cobalt blue, whose crispness and vitreous luster contrast dramatically with the tactile roughness of the wall. To the left, a small cluster of red berries showcases a virtuous treatment of surface gloss and volume, while to the right, a spherical citrus-toned fruit balances the thoughtful distribution of masses across the space. The background, a sumptuous exercise in trompe-l'œil illusionism, features pronounced high-relief flaking that reveals a fragment of mural painting in emerald green and cobalt blue tones intersected by vertical bands, articulating a poignant poetic discourse on the passage of time, the decay of human structures, and the endurance of everyday objects. The light, entering from the left side, models the volumes with surgical precision, casting subtle shadows that emphasize the roughness of the substrate and the three-dimensional quality of the elements. Iconographically, the piece connects with the great tradition of Spanish Baroque still-life painting—inheriting the rigorous shelf-like arrangement of Juan Sánchez Cotán and the austerity of Francisco de Zurbarán—while aligning with Spanish magic neorealism from the second half of the 20th century, engaging in dialogue with masters such as Claudio Bravo or Eduardo Naranjo and incorporating the material experimentation of contemporary informalism. The signature "T. medina," incised directly into the textured mass in the lower right corner, confirms the authenticity and artistic process of the work. Tomás Medina's oeuvre is represented in various collections of public institutions, art foundations, and regional and municipal museums in Spain, as well as in prominent private collections dedicated to late 20th-century Spanish figurative and realistic art.

950 €View work

Featured work

Echoes of Time

This remarkable composition by Tomás Medina, executed circa 1995, constitutes an outstanding example of a contemporary still life created in mixed media on board, masterfully synthesizing Baroque-rooted hyperrealism with the textural illusionism characteristic of late 20th-century trompe-l'œil. Indeed, the work transcends conventional oil painting to articulate a complex plastic endeavor in which the artist combines layers of miniaturist oil glazes over a background base structured with impasto pastes, mineral fillers, and resins that yield a sculptural, highly tactile texture. The scene is compositionally arranged upon a simulated stone ledge or cornice supported by a molded bracket in the lower register, upon which the still-life elements are placed with carefully considered spatial balance: to the left, a half-peeled mandarin whose segments, membranes, and rind are rendered with extraordinary analytical detail; in the center, an isolated segment acting as a rhythmic bridge; and to the right, a ceramic vessel with a globular body and flared neck adorned with a cobalt blue floral motif reminiscent of handcrafted earthenware. The background wall is a masterclass in material realism, simulating an aged, weathered surface whose high-relief tectonic flaking reveals a fragment of mosaic or tiling featuring a floral rosette in terracotta, ochre, and grayish-blue tones, creating a visual dialectic between the ephemeral nature of organic matter and the persistence of decaying architecture. The light, distinctly directional and filtered from the left, bathes the composition, casting softly blended shadows that accentuate the volumes, the porosity of the fruit, and the fine crazing of the ceramic. Iconographically and stylistically, the piece is deeply rooted in the spatial austerity of Spanish Golden Age still-life painting—evoking the compositional restraint and use of the stone ledge found in Juan Sánchez Cotán and Francisco de Zurbarán—while aligning with Spanish magic neorealism from the second half of the 20th century, engaging in a dialogue with the illusionistic aesthetic and painstaking detail of artists like Claudio Bravo or Eduardo Naranjo, and incorporating elements of informalist textural painting by integrating the physical roughness of the support as an expressive device. The signature "T. medina," incised and pigmented directly into the material mass in the lower right corner, underscores the three-dimensional nature of the piece. Tomás Medina's career and creations are represented in various collections of public institutions, art foundations, and regional and municipal museums across Spain, as well as in prominent private collections dedicated to late 20th-century Spanish figurative and realistic art.

950 €View work

Featured work

Pentecost Fair

In this superb large-format oil on canvas (100 x 80 cm), Catalan painter Pere Mateu Blanch (1904–1965) delivers an extraordinary reinterpretation of the famous 1902 work Whitsun Fair by the illustrious British post-impressionist artist Sir Alfred James Munnings (1878–1959), successfully translating the effervescence and genre charm of the rural scene into his own mature plastic language. The composition unfolds a remarkably rich outdoor scene populated by dealers, stallholders, and fairgoers, in which Mateu demonstrates a virtuoso mastery of life studies and plein air painting, filtering diaphanous light through the foliage to bathe traveling stalls, horse carts, and key figures in warmth. Stylistically, the work stands out for its agile, loose, and impasto-laden brushwork, evident in the formidable anatomical rendering of the draft horses, the plasticity sculpting the folds of the garments, and the detailed virtuosity of the faces—most notably the expressive white-bearded vendor offering fruit from his basket and the boy in the foreground biting into an apple with striking realistic freshness. The chromatic palette, rich in warm earth tones, burnt ochres, lush greens, and luminous accents of white, vermilion, and blue, endows the piece with optical dynamism and top-tier spatial depth. Trained between Barcelona and Paris, Pere Mateu Blanch's career was marked by success in official competitions and prestigious exhibitions, with his works held in museum collections and institutions such as the Museu de Terrassa, as well as forming part of prominent public, corporate, and private collections specializing in major 20th-century figurative painting.

1.500 €View work

Featured work

Still life with bunches of grapes

The Catalan painter Pau Valls Cañellas (Barcelona, 1928–2006) presents in this horizontal, substantially sized oil on canvas a refined still life focused on the representation of several bunches of black and white grapes arranged along a skillful horizontal axis; his academic training and rigorous life studies draw their influences from the great tradition of Spanish Baroque still-life painting by masters such as Luis Meléndez and Juan van der Hamen, combined with the descriptive meticulousness of the 17th-century Dutch school and 20th-century Catalan restrained figurative realism; regarding his style, he stands out for a virtuoso mastery of oil technique and chiaroscuro, achieving a remarkably high sculptural quality in rendering organic translucency, juiciness, and fruit textures; through precise brushwork, the artist applies subtle glazes to capture the delicate layer of bloom on the skin of the grapes and crisp white impastos to fix light reflections, achieving a rich tonal transition ranging from the purple and violet shadows of the red bunches to the greenish and golden transparencies of the white grapes; the composition, emphasized by a neutral, earthy background with a nuanced atmosphere, imbues the piece with a strong spatial sense and three-dimensional volume; regarding the destination of his work and museum holdings, Pau Valls's compositions feature in collections of cultural foundations, Catalan institutional archives, art entities across Spain and Andorra, and distinguished private collections specializing in still-life painting and contemporary figurative realism.

1200 €View work

Featured work

Ménage à trois

The sculpture Ménage à trois (1997), conceived by the renowned sculptor Fili Plaza and autographically numbered as edition 3/9 of a limited edition of nine castings, is a medium-sized piece executed in lost-wax bronze with a brown-toned patina accented by greenish nuances, set upon a monolithic rusted iron plinth; the artist's plastic training and evolution are reflected in a rigorous mastery of volume and the tactile qualities of metal, technically characterized by a striking material contrast between the organic warmth of hand-modeled bronze and the purist, industrial sobriety of the naturally oxidized iron pedestal; regarding its influences, the piece directly connects with the great tradition of 20th-century organic figurativism and the synthetic sensualism of masters of European and Catalan sculpture such as Auguste Rodin, Josep Clarà, and Aristide Maillol, redefined through a contemporary poetic where body mass dynamism and spatial fluidity prevail over strict anatomical description; concerning its style and theme, the work explores intimacy, desire, and complicity through a three-dimensional grouping of three closely embraced nude torsos, whose hands and limbs trace an enfolding, continuous rhythm that invites the viewer into a 360-degree circular reading, preserving on its surface the marks of direct modeling in the original wax; regarding the destination of her work and institutional presence, Fili Plaza's sculptures form part of the collections of prestigious private foundations such as the Fundació Vila Casas, public contemporary art collections, monumental urban installations, and distinguished corporate and private collections across Spain, Andorra, France, and various European countries.

1.100 €View work

Featured work

The Golden Horn, Istanbul

This watercolor on paper by the Turkish painter Vahit Armağan features a panoramic view with a pronounced veduta character over the Golden Horn in Istanbul, rigorously structured into three depth planes where the water in the foreground holds small traditional wooden boats and laden barges, the middle ground accommodates steamboats and larger merchant vessels moored alongside the port, and the background rises monumentally with the silhouette of the urban hill dominated by the imposing Ottoman architecture of the Süleymaniye Mosque and the New Mosque (Yeni Cami) with their domes and minarets silhouetted against a sky of subtly washed clouds; stylistically, the work demonstrates high-precision technical mastery in the use of transparent watercolor with layered wet-on-dry glazes, confidently capturing the nuanced light of the Bosphorus through a sober and harmonious color palette dominated by ranges of cobalt and ultramarine blues, grayish greens, ochres, and neutral tones that articulate both the chromatic reflections on the water and the architectural rigor of the monuments; the artist's visual influences connect directly with the tradition of French plein-air landscape painting and the Turkish Impressionism inherited from his training at the Istanbul Academy of Fine Arts under the tutelage of İbrahim Çallı and his subsequent four-year stay at the École Nationale Supérieure des Beaux-Arts in Paris, fusing the rigor of classical European composition with the poetic and Orientalist atmosphere typical of 20th-century Istanbul coastal views; the works of Vahit Armağan are housed in prominent public institutions and collections such as the Bursa Archaeological Museum and the collections of the Ministry of Culture and Tourism of the Republic of Turkey, as well as featuring in distinguished private and institutional collections specializing in modern Turkish art.

475 €View work

Featured work

Pair of seated "putti"

This pair of seated cherubs or putti in solid bronze, measuring approximately 20 cm in height, represents a refined example of French decorative sculpture from the late 19th and early 20th centuries (c. 1880–1920), a period marked by the revival of historical styles during the Belle Époque. The work depicts two winged infants in a serene, contemplative pose, arranged in mirror symmetry upon naturalistic rock bases while holding delicate floral garlands or bouquets in their laps. Stylistically, the pieces fall within a Neo-Baroque and Neo-Rococo aesthetic of strong academic lineage, characterized by the pursuit of grace, compositional lightness, and a soft, rounded anatomical study of childhood. These figures trace their conceptual and iconographic roots back to the great tradition of 18th-century French sculpture, taking as their main source of inspiration the classicist and galant models of masters such as Étienne-Maurice Falconet, Louis-Félix Delrue, and most notably Claude Michel (known as Clodion), whose mastery in rendering cherubs and seasonal allegories set an enduring aesthetic canon in European decorative arts. Although the pieces bear no visible signature enabling an attribution to a specific sculptor, their painstaking manufacturing process —cast in lost wax or sand molding with fine cold-chasing to define the curly locks, feather details on the wings, and drapery folds— suggests they originated in the thriving Parisian art foundries of the era, such as Barbedienne, Susse Frères, or Colin, which specialized in high-quality cabinet bronzes and ornamental accents for clock garnitures or mantelpieces of the upper bourgeoisie. The rich dark patina with coppery brown undertones, coupled with the natural golden highlights and wear emerging on the raised surfaces over time, imparts a notable visual warmth and an undeniable historical and heritage value to the pair.

500 €View work

Featured work

Still Life with Onions

This work by Pau Valls Cañellas, executed in oil on canvas and signed by the artist in the lower right corner (Pau Valls), is a refined and intimate figurative still life depicting three onions naturally arranged against an enigmatic, enveloping background of burgundy and crimson tones; the composition is structured through a painstaking study of organic forms and the tangible presence of humble objects, placing the three bulbs in a visual dialogue where incoming light pierces the shadows to highlight the papery textures of their skin, the golden and coppery hues of their outer layers, and the delicate shoots or roots emerging at the ends; thematically, the piece belongs to the historic tradition of Iberian still-life painting and the intimate realism of the School of Paris, celebrating the poetic beauty hidden in everyday life and nature morte through a contemplative, serene approach; technically, the artwork displays a rich, luscious impasto full of volume, blending a direct, vigorous brushstroke with small dabs of heavy paint —most visible in the accents of white and yellowish light across the spherical surfaces— which contrast masterfully with the more fluid, darker layers that form the cast shadows and the deep atmosphere of the background; stylistically, it reflects the strong legacy of Catalan naturalism inherited from his father Nolasc Valls, filtered through the lyricism of 20th-century figurative painting and demonstrating total mastery over chiaroscuro and color temperature; the color palette unfolds in a warm harmony of vermilions, deep magentas, sienna earths, warm ochres, and flashes of creamy white, achieving a visually sophisticated chromatic balance; Pau Valls' work enjoys significant international recognition and is included in prominent private and institutional collections across Spain, Andorra, France, the United States, and Japan.

1100 €View work

Featured work

Ansalonga from the river

This work by Francesc Torneró, executed in oil on canvas in a 74x57 cm format and signed by the artist in the lower right corner (Torneró), represents a beautiful composition of the Andorran Pyrenean landscape —identifiable as the picturesque hamlet of Ansalonga and its river surroundings— imbued with poetic lyricism and a contemplative, Post-Impressionist naturalism; the composition is masterfully structured around the winding course of a high-mountain river in the foreground, whose rapid, foaming waters guide the viewer's eye toward the traditional architecture of stone bordas and cottages with slate roofs, connected by a single-arch bridge in the middle ground and framed by the imposing presence of snow-capped peaks in the background; thematically, the piece celebrates the timeless serenity and vernacular identity of the valleys of Andorra, capturing the exact moment when the softened mountain light bathes the meadows in golden highlights and warm greens; technically, the artwork displays the artist's characteristic vigor and command of both brush and palette knife, featuring a rich, luscious impasto that models the roughness of the stone, the twisting river current, and the rocky ridges with confident, heavy strokes; stylistically, the painting connects explicitly with the historic en plein air tradition of the Olot School and 20th-century Catalan luminist landscape painting, influenced by masters such as Xavier Viñolas and Joan Vilà Moncau in its structured treatment of light and atmosphere; the color palette unfolds in a symphony of ochres, meadow greens, sienna earth tones, and leaden grays, masterfully contrasted with the off-white of alpine snow and vivid dabs of light on the whitewashed walls of the buildings; the artwork of Francesc Torneró is widely represented in prominent private collections of Catalan and Andorran art, corporate collections specializing in Pyrenean landscapes, and galleries and institutions dedicated to preserving contemporary figurative heritage.

1.100 €View work

Featured work

Train Station under the Snow

This work by the celebrated Catalan landscape and intimate painter Francesc Torneró, executed in oil on panel in a 54x45 cm format and explicitly signed in the lower left corner (Torneró), represents a superb example of industrial archaeology and modern urban landscape painting, centered on the poetics of vintage railways; the composition is structured through a perspective vanish of pronounced linear dynamism that draws the viewer's eye toward the vaulted train shed, where three steam locomotives rest and set off amidst tracks covered in a blanket of snow and ice; thematically, the piece addresses the 19th and early 20th-century fascination with mechanical power, speed, and industrial atmosphere, capturing the exact moment when the chimneys spew dense plumes of smoke and steam that intertwine with power lines and the iron infrastructure; technically, it displays an extraordinary command of the palette knife and broad brush, evident in the thick textural application with which Torneró models the steam through swirling circular rhythms and impasto in cream, ochre, and gray tones, contrasting sharply with the synthetic, structured precision of the locomotives' draftsmanship; stylistically, the work denotes a clear alignment with Post-Impressionism and European and British-rooted Realism, connecting explicitly with the luminist and industrial tradition inaugurated by J.M.W. Turner in Rain, Steam and Speed, as well as Claude Monet's views of the Saint-Lazare station; the color palette, dominated by a restrained range of steel grays, ochres, chalk whites, and dark browns, is masterfully broken by vibrant accents of pure color in the red and yellow signal lights and glowing boiler headlights, adding a warm touch to the cold winter setting; the artwork of Francesc Torneró is widely represented in prominent private collections of 20th-century Catalan art, corporate collections specializing in railway and industrial themes, and galleries and institutions dedicated to preserving contemporary figurative and en plein air pictorial heritage.

800 €View work

Featured work

Melancholy in White

This work by Enric Montserrat Foj, executed in oil on panel and signed by the artist in the lower left corner, stands as a piece of refined, intimate sensitivity within the artist's mature production, dedicated to the poetic rendering of portraiture and the idealization of the female figure; the composition depicts a half-length portrait of a young woman with a tilted profile and a melancholic gaze, set in an attitude of gentle contemplation with her hands resting upon her chest and neck, draped in a tunic of off-white tones; technically, the wood panel is distinguished by a virtuosic and highly complex textural surface treatment, where Montserrat combines the anatomical refinement of the face and hand gestures —the result of his refined training as a draftsman and illustrator— with an extraordinary tactile density in the background and the ornamental details of her hair, executed through thick palette-knife impasto with touches of yellow, ochre, blue, and pinkish pigments that create an almost sculptural low relief; stylistically, the work denotes a clear alignment with late Symbolism and lyrically-rooted Post-Impressionism, connecting with the ethereal atmospheres of the Pre-Raphaelite masters and Catalan intimate luminism; the use of the wooden support provides structural rigidity that the painter exploits to work the impasto with vibrant textures and partial scrapings that reveal the underlying layers, articulating a color palette dominated by chalk whites, ivories, soft earth tones, and warm brown highlights in the young woman's coppery hair; the work of Enric Montserrat Foj is represented in institutional heritage collections such as the historical archives of the former Editorial Bruguera and Selecciones Ilustradas (S.I.), corporate collections, and prominent private collections across Europe and the United States devoted to contemporary figurative art and 20th-century Spanish drawing.

1.400 €View work

CEO Art Andorra

Alfred Llahí Segalàs

In 1991, together with my brother, I opened what would become our first art gallery in the Principality of Andorra, Galería de Arte Llahí, becoming the youngest gallerists in our country. We were just over 20 years old and eager to contribute to the cultural development of our small country.

The success was so great that two years later we opened our second art gallery in Andorra and, not long after, a third one in Spain, more specifically on the Costa Brava.

The prestige achieved by our art galleries made it possible for us to be the European gallery chosen to hold an exclusive sales mandate for an oil painting by Velázquez from his Seville period (1618-1623), valued at 15 million euros.

Until 2012, Galerías de Arte Llahí continued to organize more than 300 solo exhibitions and many group exhibitions, featuring internationally renowned artists such as Félix Revello de Toro, Lorenzo Quinn and many of the most important figurative art names of the time in Europe and America.

Between 2012 and 2020, I devoted myself to organizing international exhibitions with major names in Chicago and Dubai, as well as advising mainly international foundations on artistic matters, including that of Baroness Ariane de Rothschild, head of the Swiss bank Edmond de Rothschild.

33 years after opening our first art gallery, I am pleased to present ART ANDORRA, a new business concept where collectors, investors and art lovers from around the world can view and acquire from home the artworks that form part of our collection, which is not limited to painting and sculpture, but also offers exclusive pieces of ethnic art, religious art and all kinds of antiques, to name just a few examples.

Enjoy your journey through Art Andorra, the new virtual art gallery of the Principality of Andorra.

Alfred Llahí Segalàs

CEO of Art Andorra

1991First gallery

300+Exhibitions

36Years of experience

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The world is full of little joys: art consists in knowing how to distinguish them.

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Available works.

Ephemeral Beauty

Echoes of Time II

Echoes of Time

Pentecost Fair

Still life with bunches of grapes

Ménage à trois

The Golden Horn, Istanbul

Pair of seated "putti"

Still Life with Onions

Ansalonga from the river

Train Station under the Snow

Melancholy in White

Alfred Llahí Segalàs

More than an acquisition, a legacy.

Advisory

Selected works

Interior design

Private consultation

Find a piece with history.