
Russian Lacquered Wooden Easter Egg "Our Lady of Kazan" Signed
This 12 cm high devotional Easter egg represents a fine piece of religious miniature art on lacquered wood depicting the Marian iconography of Our Lady of Kazan (Казанская Богоматерь), characterized by the Virgin Mary's head inclined toward the Christ Child (Immanuel), who stands frontally on her left bestowing a blessing. The composition includes the sacred Church Cyrillic monograms «МР ӨҮ» (Mother of God) and «ІС ХС» (Jesus Christ), framed by a traditional gold leaf scroll border. The lower border features handwritten inscriptions identifying the collaborative authorship of master iconographers Vinogradov D. (Виноградов Д.) and Oksanichev L. (Оксаничев Л.) executed in the historic artistic center of Vladimir (г. Владимир). The reverse displays the Russian Orthodox three-bar cross against a polished black lacquer backdrop. The piece illustrates the enduring iconographic lineage of the Vladimir-Suzdal school, whose artworks are preserved and exhibited in renowned global institutions such as the Vladimir-Suzdal State Historical, Architectural and Art Museum-Reserve, the State Tretyakov Gallery in Moscow, the State Russian Museum in St. Petersburg, the Hillwood Estate, Museum & Gardens in Washington D.C., and the Icon Museum of Frankfurt (Ikonen-Museum Frankfurt).
VLADÍMIR, Escuela de
The Vladimir School represents one of the most monumental iconographic and artistic traditions of Old Rus and Russian sacred art, established in the 12th century under the patronage of Grand Princes Andrei Bogolyubsky and Vsevolod the Big Nest in the Vladimir-Suzdal region, characterized by the transition from rigid Byzantine style toward a distinct painterly language defined by poetic lyrical sensitivity, monumental refinement, deeply spiritual facial expressions, and a masterly use of light and gold leaf embellishments over turned or carved hardwood, counting among its historical masters iconic figures such as Andrei Rublev and Daniil Chyorny —who painted the frescoes of the Dormition Cathedral in Vladimir in the early 15th century— alongside modern regional successors like master miniaturists and iconographers D. Vinogradov and L. Oksanichev who spearheaded the post-Soviet revival of lacquered religious painting, with primary masterworks and collections preserved and displayed across major global institutions including the Vladimir-Suzdal State Historical, Architectural and Art Museum-Reserve, the State Tretyakov Gallery in Moscow, the State Russian Museum in St. Petersburg, the Andrei Rublev Museum of Ancient Russian Culture and Art in Moscow, the Hillwood Estate, Museum & Gardens in Washington D.C., and the Icon Museum of Frankfurt (Ikonen-Museum Frankfurt).






