Adam and Eve
14.000 €
The sculpture titled "Adán y Eva" (Adam and Eve), conceived in granite resin by the internationally acclaimed sculptor Lorenzo Quinn (Rome, 1966), stands as a work of outstanding relevance within his plastic production, being edition 4/16 of an ultra-limited run of just 16 units—an extremely small and highly sought-after edition size that contrasts drastically with the more common commercial versions in his catalogue produced in mass runs of 999 copies; furthermore, at an imposing 43 cm in height set upon a prismatic marble base, this piece easily doubles the scale of the standard editions found on the secondary market, granting it a monumental presence, compositional density, and collectible significance that are incomparably superior. The composition offers a bold anatomical synthesis and a profound symbolic narrative where the male figure—Adam—envelops, shelters, and cradles the stylized female body of Eve within his own torso, merging both genders into an indissoluble duality that explores the origin of humanity, emotional reciprocity, and primal love; this integration of clean, polished, organic forms against the mineral texture of the granite resin reveals palpable influences from Henry Moore's biomorphic language, Jean Arp's elegant formal simplification, and the expressive force of Auguste Rodin and Michelangelo in the treatment of torsos. Incised-signed by the artist (Lorenzo) and numbered (4/16), the piece embodies the humanistic commitment and technical mastery that have established Lorenzo Quinn as one of the most influential contemporary sculptors on the international scene, featuring public monuments and works exhibited in world-class institutions such as the United Nations Headquarters in New York, the Vatican, the Boboli Gardens in Florence, the Venice Biennale, the Sochi Museum of Contemporary Art, and the Saint Petersburg Sculpture Museum, consolidating this singular large-format piece as a sculptural landmark of supreme investment value and heritage interest.
TechniqueResina de granito aglomerada y pulida
Dimensions43cm
YearCirca 1996
ArtistQUINN, Lorenzo
QUINN, Lorenzo
Lorenzo Quinn (born May 7, 1966, in Rome, Italy) is a renowned and internationally acclaimed Italian-American figurative sculptor, son of the celebrated Oscar-winning actor Anthony Quinn and Jolanda Addolori, whose childhood and youth were spent between Italy and the United States in a deeply artistic and interdisciplinary environment that influenced his early plastic vocation, receiving formal training from the age of twenty-one at the prestigious Academy of Fine Arts in New York —supplementing his studies at the Art Students League— where he deepened his knowledge of anatomical drawing, clay modeling, and classical figurative techniques, drawing direct inspiration from the monumental and introspective mastery of Auguste Rodin, Michelangelo Buonarroti, Gian Lorenzo Bernini, Constantin Brâncuși, and classical expressionism, as well as the direct influence and creative advice of his own father, rapidly evolving from painting to sculpture in bronze, stone, and agglomerated resins due to their greater capacity to express three-dimensional volume, human emotions, empathy, and collective connection; over more than three decades of professional career, Quinn's style has been distinguished by exceptional technical skill in anatomical representation —particularly in the recurring and symbolic use of human hands as transmitters of affection, creation, balance, and environmental responsibility—, articulating a conceptual body of work focused on spirituality, love, existential balance, climate change, and peaceful coexistence, a artistic language that has led him to erect majestic public installations and monumental works worldwide, highlighting milestones such as "Support" (presented at the 2017 Venice Biennale to raise awareness about global warming), "Building Bridges" (Venice, 2019), "Give" (Piazza del Comunitano in Pietrasanta and the Boboli Gardens in Florence), "The Force of Nature" (installed in iconic locations such as London, Shanghai, New York, Doha, and Singapore), "Together" (exhibited in front of the Pyramids of Giza in Egypt), "Dangerous Game" (at the Sochi Museum of Modern Art), and "Tree of Life" (commissioned to commemorate historical events); Lorenzo Quinn's work enjoys strong institutional recognition and a prominent presence in public collections, museums, foundations, and landmark spaces globally, featuring in the collection of the Vatican State (with an official commission for the Jubilee Year 2000), the United Nations Fund, the Cultural Crossroads Museum in Doha (Qatar), the City Hall of Palma de Mallorca, the Park Hyatt Foundation, the Saint Petersburg Sculpture Museum, the royal collections of the Middle East, and the Sochi Museum of Contemporary Art, in addition to multiple sculpture parks and private corporate and institutional collections across the United Kingdom, the United States, Spain, Italy, China, and the United Arab Emirates.
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