
Montserrat
Executed in 1991 in oil on canvas, "Montserrat" stands as one of the most ambitious large-format rural landscapes within the mature body of work of Catalan painter María Carmen Muset. The painting captures a luminous scene imbued with a strong Mediterranean spirit, where the traditional architecture of a Catalan farmstead — highlighted by the striking color contrast of green shutters and blue wooden doors — blends harmoniously into vibrant surrounding flora, crowned in the background by the iconic silhouette of the Montserrat mountain range. Stylistically, Muset aligns herself with the rich tradition of Catalan landscape painting and Fauvist-influenced Post-Impressionism, building the scene through fluid, energetic, and heavily impastoed brushstrokes that bestow remarkable tactile texture upon the canvas. Color vibration acts as the primary unifying force of the work: the rich profusion of bougainvillea, rose bushes, and lush foliage in vivid purple, pink, and green hues engages in complete harmony with the crisp midday light sweeping across the facade and pathway. The solid presence of the rocky mountain range in the distance provides both an unmistakable geographic anchor and a balanced compositional counterpoint, instilling the canvas with a deep sense of spatial depth and timeless serenity. This synthesis of structural discipline, chromatic exuberance, and technical mastery establishes this large-scale painting as a prominent work of significant artistic merit, deserving a place in fine private and institutional collections devoted to contemporary Catalan landscape art.
MUSET, Maria Carmen
Born in Barcelona in 1934, she entered the Sant Jordi Superior Fine Arts School in Barcelona at the age of 19, studying under Santasusagna, Puigdengolas, and Muntané, among others. She graduated top of her class, earning her teaching qualification in drawing and painting in 1958. That same year, she won the "Amigó Cuyàs" Award, and a year later presented her work publicly at the Sala Jaimes in Barcelona. Since then, she has exhibited continuously, balancing solo exhibitions since 1960 with teaching at her own painting academy, which has trained many renowned artists. Her painting connects with Impressionism, focusing on landscapes influenced by the Catalan School (Mir, Anglada Camarasa), though her floral compositions, still lifes, and female figures are also highly valued and widely recognized.
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