BACCARAT, Compagnie des Glassleries deAntiques
Napoleon III triple "servante de parfum" in gilt bronze and cut crystal
1.000 €
Triple perfume set (porte-flacons or servante de parfum) from the Napoleon III period (circa 1860-1880), crafted in France during the second half of the 19th century under the aesthetic canons of the Neoclassical and Empire styles. The set consists of a straight-lined support frame in hand-chased gilt bronze (ormolu) housing three square hand-blown and hand-cut crystal bottles, each topped with a wheel-cut faceted geometric diamond or polyhedral prism stopper featuring a gold filigree acanthus collar at the neck. The bronze frame stands out for its refined neoclassical architecture, flanked by uprights in the shape of arrow quivers or fasces, and composed of fluted bars with ribbon ties framing a central freestanding relief appliké depicting an allegorical trophy of torches, quiver, and flowers. The base rests on stylized feet integrated into the bronze structure itself, reflecting the mastery of Parisian workshop metalwork through lost-wax casting (cire perdue), meticulous hand-chasing, and fire-gilding that imparts a warm and sumptuous richness. Pieces of identical typology and technical execution, produced by the most distinguished French manufacturers of the era such as Baccarat, Glasslerie de Saint-Louis, or Parisian decorative bronze workshops, are preserved in prominent decorative arts collections including the Musée des Arts Décoratifs in Paris, the Château de Compiègne, the Palace of Versailles, and the Victoria and Albert Museum in London.
TechniqueBronze cincelado y sobredorado al mercurio (ormolu) con cristal soplado, tallado a mano y tapones esmerilados.
Dimensions
YearCirca 1860-1880
ArtistBACCARAT, Compagnie des Glassleries de
BACCARAT, Compagnie des Glassleries de
Founded in 1764 under the royal decree of King Louis XV granted to Cardinal Louis-Joseph de Laval-Montmorency in the town of Baccarat (Lorraine), the Compagnie des Glassleries de Baccarat was originally established as a glass workshop before transforming, following the installation of its first lead crystal furnace in 1816, into France's paramount manufacture of luxury and mouth-blown excellence, reaching its historical maturity during the 19th century through an unparalleled mastery of chemical material purity, the development of geometrically precise wheel-cutting techniques (taille à la roue), and patented optical grinding methods that redefined the decorative arts. After receiving its first royal commission in 1823 from Louis XVIII and consolidating its signature aesthetic with the iconic Harcourt goblet in 1841, the firm turned the Paris Universal Expositions (most notably the 1855, 1867, 1878, and 1889 editions) into its primary stage for international prestige, where its master artisans—consistently awarded gold medals—showcased monumental showpieces (pièces d'apparat et de grande forme), palace-scale crystal chandeliers such as the famous Zénith, finely enamelled perfume bottles, and colossal uncatalogued sideboard decanters (carafes de dressoir hors-catalogue). This technical supremacy in cold work, characterized by fine diamond-point cutting, fire gilding, acid etching, and iconic base treatments such as the 16-point cut starburst (cul à étoile taillée à 16 rayons), captivated the European high aristocracy and global royal dynasties, establishing Baccarat as the favored purveyor to the imperial court of Napoleon III, the Royal House of Spain, the Ottoman courts, and most notably the Russian Imperial Family, for whom the manufacture crafted legendary commissions including the "Tsar's Candelabra" for Alexander III and state banquet glass services for Nicholas II. Today, the rich historical heritage, master prototypes, original molds, and monumental display pieces of the Compagnie des Glassleries de Baccarat are preserved and exhibited across leading museum institutions worldwide: primarily at its corporate and heritage sites, the Musée du Glass de Baccarat in Lorraine and the Maison Baccarat at Place des États-Unis in Paris (formerly the mansion of Marie-Laure de Noailles, redesigned by Philippe Starck); within France's major national collections, such as the Musée des Arts Décoratifs (MAD) in Paris, the Musée d'Orsay, and the Musée du Louvre; and among prestigious international palatial holdings, including the Royal Palace of Madrid and the Palace of La Granja de San Ildefonso in Spain, the Dolmabahçe Palace in Istanbul (renowned for housing its monumental crystal staircase), the Hermitage Museum in Saint Petersburg, and the decorative arts collections of the Victoria and Albert Museum (V&A) in London, solidifying the brand as an enduring symbol of French art de vivre and the pinnacle of crystal craftsmanship.
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BACCARAT, Compagnie des Glassleries deAntiques
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BACCARAT, Compagnie des Glassleries deAntiques
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