Maternity
3.500 €
Executed in 1993 in oil on canvas, "Motherhood" belongs to the artistic maturity of Carmen Pinteño, standing as a sublime testament to the enduring relevance of Andalusian figurative painting and the aesthetic legacy of the Indalian Movement. Within this 70 x 62 cm composition, the artist reinterprets a timeless motif rooted in sacred iconography through a deeply humanistic and lyrical lens. Stylistically, the painting features rich, impasto brushwork, drawing directly from the formal synthesis of Benjamín Palencia and the plastic vigor of the Indalian group led by Jesús de Perceval. Pinteño frames the double portrait in a close arrangement that heightens the emotional intimacy between mother and child. Notable is the subtle handling of light across the rosy skin tones and the vibrant chromatic interplay between the warm facial features and the turquoise-blue shades of the cloak, rendered with material depth that confers vitality and volume to the scene. The direct, serene gazes of both figures transcend mere anecdotal representation to evoke a spiritual and universal dimension. This fusion of cultural heritage, technical mastery, and figurative poetry firmly establishes the canvas as a highly prized asset for specialized collectors, cementing its value as a key piece of late-20th-century Spanish figurative art.
TechniqueOil sobre tela
Dimensions70x62cm
Year1993
ArtistPINTEÑO, Carmen
PINTEÑO, Carmen
Born in Huércal-Overa (Almería) in 1937, Carmen Pinteño represents one of the most distinctive and highly regarded figures in second-half 20th-century Spanish painting, serving as a direct heir and spiritual successor to the Indalian Movement founded by Jesús de Perceval and the vibrant landscape ethos of masters such as Benjamín Palencia. Trained at the School of Arts and Crafts in Almería, her painterly language — marked by poetic power, rich impasto, and an extraordinary command of Mediterranean light — propelled her early on into the international exhibition circuit, earning accolades such as the Gold Medal at the Logroño National Exhibition and an Honorable Mention at the prestigious New York Summer Salon in 1995. Her global reach has been reaffirmed through major solos at venues including the Salon des Nations in Paris and the Goya Art Gallery in New York, inspiring a comprehensive 200-page monograph in 2012 by art historian and critic María Carmen Fernández de Capel Baños. The enduring legacy of her work is solidified by her inclusion in the permanent collection of the Museo Nacional Centro de Arte Reina Sofía (MNCARS) in Madrid, alongside prominent corporate, institutional, and international private collections including Union des Banques Suisses in Zurich, The Copley Society of Boston, the Permanent Observer Mission of the Holy See to the United Nations in Geneva, the Apostolic Nunciature in Ivory Coast, as well as BBVA and Banco de Andalucía, a museum-caliber pedigree that firmly justifies a high market valuation and positions her canvases as prized assets for discerning art collectors.
Recommended works
Other selected pieces from the Art Andorra catalogue.
