Light, Time, and Penumbra
750 €
This medium-format oil on canvas painting created around 1995 by Catalan artist Neus Brunet (Manresa, 1960)—corresponding academician of the Accademia Internazionale Grecia-Marino in Ferrara, Italy—is an exquisite example of hyperrealistic and intimate still life with clear echoes of academic Baroque and classical Mediterranean tradition. The composition, structured with powerful chromatic drama thanks to the intense velvet-red drapery serving as background and setting, displays a carefully chosen selection of fleshy fruits—apples, citrus fruits, white grapes, and clusters of black grapes with finely rendered specular highlights—arranged alongside a stylized dark green glass bottle that adds a distinct note of verticality and technical sophistication in the treatment of vitreous reflections. Brunet’s style in this piece stands out for its meticulously descriptive virtuosity, where precise drawing, chiaroscuro contrast, and the hyperrealistic capture of surface textures (the porosity of oranges, the waxy skin of apples, or the luster of glass) reveal the deep influence of Spanish Golden Age still life masters, such as Juan Sánchez Cotán or Zurbarán, filtered through 20th-century Catalan poetic realism. Throughout her professional career, backed by international milestones and her affiliation with institutions such as the Ferrara academy, Neus Brunet's work has achieved solid distribution in private collections and public institutions, with her pieces included in municipal art funds and cultural bodies such as the Museu de la Pell d'Igualada i Comarcal de l'Anoia, the Sala Municipal d'Exposicions d'Igualada, as well as the art collections of former banking foundations Caixa de Pensions and Caixa del Penedès, and various museum holdings across the Bages and Anoia regions.
TechniqueOil sobre tela
Dimensions74x67cm
Year1995
ArtistBRUNET, Maria Neus
BRUNET, Maria Neus
The Spanish painter born in Manresa (Barcelona) in 1960 is a prominent representative of Catalan contemporary lyric figuration and landscape painting; her artistic training formally began in 1976 upon entering the Vilajosana Academy of Manresa, where she acquired a solid technical foundation in anatomical drawing, composition, and various painting disciplines under the tutelage of renowned professors and masters from the Bages visual arts sphere, who carried on the tradition of academic rigor and capturing light from nature; regarding her influences, her pictorial language draws from the great tradition of Catalan landscape art and Mediterranean figurative realism, combining the subtlety of light from the Olot School with the chromatic delicacy and poetic treatment of atmosphere characteristic of classical Italian painting and European impressionism; concerning her style, which she began exhibiting regularly from 1980 onward in galleries across Spain, Italy, and the United States, it stands out for an elegant execution and refined sensitivity toward landscapes, figures, and interiors, employing a harmonious palette and a fluid technique that has earned her broad international acclaim supported by prestigious awards and honors, notably including the Honorary Award at the VIII International Remo Brindisi Trophy Contest in Ferrara, the Honorary Award at the Antiqua Florentia Contest in Florence, the Honorary Award at the II Colosseo Omaggio a Roma, the Honorary Award at the Alba 2003 Contest in Ferrara, and her appointment as Corresponding Academician of the Accademia Internazionale Grecia-Marino of Italy; regarding the destination of her work and museums, her pieces form part of holdings in international galleries, cultural institutions in Europe and the United States, public collections of Catalan and Italian town halls, and distinguished private collections of contemporary art internationally.
Recommended works
Other selected pieces from the Art Andorra catalogue.
