
Urban atmosphere in Passy
This chalcographic etching created in 1983 by master José Luis Florit Rodero (1909-2000), signed in pencil by the author and numbered as print 93 from a limited edition of 100, constitutes a refined urban veduta that captures the atmosphere of the iconic Parisian enclave of Passy, in the 16th arrondissement, highlighting in the background the structural silhouette of the elevated metro's metallic viaduct over the Seine River and Passy station. The composition, featuring extraordinary shorthand agility and synthetic rigor, bears witness to the artist's full graphic maturity during his final Parisian period, combining the academic heritage of anatomical and structural drawing mastered in his youth under master Juan Núñez Fernández with his subsequent specialization in printmaking under the tutelage of Ricardo Esteve Botey at the Royal Academy of Fine Arts of San Fernando in Madrid. Visually, the print stands out for an incisive, vibrant, and markedly lyrical line that evokes the poetics of the School of Paris and the graphic art of masters like Raoul Dufy or Albert Marquet, articulating the verticality of Haussmannian facades, street kiosks, vegetation, and the fluid flow of dynamically sketched pedestrians through cross-hatched line networks and tonal density juxtapositions. Florit's career, widely recognized since the 1930s after winning a Third Medal at the National Exhibition of Fine Arts in 1933 and presenting a solo exhibition at the Museum of Modern Art in Madrid in 1935, boasts a solid institutional presence, with his works housed in the collections of prestigious museums and institutions such as the Reina Sofía National Museum Art Center in Madrid, the Royal Academy of Fine Arts of San Fernando, the National Library of Spain, the National Art Museum of Catalonia (MNAC), and the Garrotxa Museum in Olot, among other prominent public and private European collections.
FLORIT, José Luís
The versatile Madrid artist José Luis Florit Rodero (1909-2000) represents one of the most solid, adaptable, and technically refined trajectories in 20th-century Spanish figurative art, whose work encompassed easel painting, drawing, printmaking, editorial illustration, and mural painting. Born in Madrid into a family with deep-rooted cultural sensitivity, his early years of training took place in Catalonia, specifically in Olot and Figueres, where he studied under the decisive guidance of master Juan Núñez Fernández—a teacher who would also influence Salvador Dalí—from whom he inherited absolute rigor in anatomical drawing and linear discipline. His subsequent admission to the Royal Academy of Fine Arts of San Fernando in Madrid solidified his academic mastery, which he complemented with specialized training in etching techniques under the tutelage of the eminent printmaker Ricardo Esteve Botey. Throughout his youth, Florit absorbed both the language of Noucentisme and the innovative trends of interwar figuration alongside the spirit of the Society of Iberian Artists, actively participating in the cultural landscape of the Second Spanish Republic and earning a Third Medal at the National Exhibition of Fine Arts in 1933, a triumph that led to his first major solo exhibition at the Museum of Modern Art in Madrid in 1935. Following the Spanish Civil War, he settled in Barcelona, serving as artistic director for the Diario de Barcelona and engaging in extensive work as an illustrator and graphic designer. Between 1952 and 1960, he channeled his talent into a prominent phase of public and religious mural painting, later undergoing a material and conceptual evolution toward landscape lyricism and synthetic abstraction, characterized by energetic strokes, sketched forms, and a restrained mastery of color that earned him accolades such as the Bronze Medal at the Zaragoza Biennale in 1967 and the Estrada Saladich Foundation Award in 1969. Established in Paris during his final decades until his passing in the year 2000, Florit's oeuvre remains safeguarded in major museum institutions and public collections across Spain and internationally—notably including the Reina Sofía National Museum Art Center, the Museum of the Royal Academy of Fine Arts of San Fernando, the National Library of Spain, and civic institutional holdings in Barcelona—positioning his legacy as an essential testament to the synthesis between classical drawing traditions and European figurative modernity.






